Spencer Rumsey

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Spencer Rumsey, the Long Island Press’ senior editor, has worked on dailies, weeklies and monthlies, including New York Newsday and the New York Post, the East Village Eye and the supermarket tabloid Star Magazine. Starting at the Press in 2010, he’s written award-winning stories on planning, politics and policy, to name a few topics, and he’s taken on a wide range of targets in his Press blog, Rumsey Punch.

Protesters Rally Across Long Island & Country To Demand Trump Release His Tax Returns

By
Spencer Rumsey
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Tax March Protest
Hundreds rallied in front of the IRS office in Hauppauge on April 15 in a nationwide protest demanding President Donald Trump release his tax returns to the public. (Spencer Rumsey / Long Island Press)

Tens of thousands of people from Long Island to California joined in rallies and marches across the country on Saturday to demand that President Donald Trump fulfill his past promises to release his tax returns as other presidents before him have done.

The day of the “Tax March” protests was April 15, officially known as Tax Day, because that’s when the Internal Revenue Service has traditionally set its due date. This year the formal filing deadline is April 18th, to compensate for the weekend.

So far, the president has refused to comply, for various reasons. A few years ago he said he would release his tax returns if President Obama released his birth certificate. In 2014, Trump said he’d release his returns if he ever decided to run for public office. But at his first press conference as president-elect, Trump declared that the public is not interested in seeing his returns. That assertion was clearly refuted last Saturday, based on the turnout in more than 100 cities, including the IRS office in Hauppauge. He’s also claimed that he is prevented from obliging because his taxes are undergoing a formal audit by the agency, a procedure the IRS has said is not a factor in preventing him from showing the public how much money he’s made and where it came from.

These concerns about Trump’s business ties have grown increasingly pronounced as disturbing revelations about his family and his aides’ dealings in Russia continue unabated.

Meanwhile, in another reversal of long-standing White House policy, the Trump administration announced April 14th that it would no longer make the names of visitors to the White House available to the public, which President Obama had done. A Trump spokesman said the decision was due “the grave national security risks and privacy concerns of the hundreds of visitors annually,” as reported by NPR.

Protesters saw the White House’s action as another suspicious sign of Trump’s unethical behavior. Among the signs held by more than 200 people who stood along Veterans Highway outside the IRS office in Hauppauge, one read: “Corrupt Trump has got something to hide!” Others included: “Show us your taxes!” A man wearing a Jets cap held a poster with a clever pun implying: “Why are you PUTIN off releasing your taxes?”

As Sen. Elizabeth Warren (D-Mass.) explained in a statement before the Tax March, “Donald Trump is hiding something. And we know where he’s hiding it—not in a safe, not in a vault. Nope, he’s hiding it in his taxes,” she said, adding “we do know that Trump hotels owe hundreds of millions of dollars to Deutsche Bank, Goldman Sachs, the Bank of China. We know he’s done business with Saudi princes, and even investors allegedly tied to the Russian mob.”

For more than 40 years American presidents have routinely released their tax returns—even though it’s not a formal requirement. Warren said the issue is about “who exercises influence—who really calls the shots—over the man who now sits in the White House.”

Tax March Protest Trump Tax Returns
Hundreds rallied outside the IRS office in Hauppauge on April 15 to demand President Trump release his tax returns, including this canine! (Spencer Rumsey / Long Island Press)

Long Island Activists for Democracy helped to organize the event at the Hauppauge IRS, which ran from noon until 1:30 p.m. and included a pair of dogs with anti-Trump signs on their backs as well as young children and a couple of protesters in wheelchairs. Earlier in the morning, demonstrators had gathered in Bethpage at a demonstration that the Long Island Progressive Coalition had helped set up to demand that Trump clear the ethical cloud surrounding his administration.

In Manhattan, thousands of people began marching in Bryant Park, where they heard Rep. Hakeem Jeffries (D-Brooklyn) reportedly tell the crowd, “Donald Trump is a living breathing conflict of interest, and the American people deserve to know what the heck he’s hiding from this great republic.” Also speaking at the Manhattan rally was comedienne Sarah Silverman, who according to the Daily News, said, “We all are very interested in not only where this president had business ties and who he is beholden to, but why he refuses to show us. And there is no possible explanation other than fishy shit is going on.”

Meanwhile in Washington, D.C., tens of thousands of people rallied at the U.S. Capitol, where the Huffington Post reported that Rep. Maxine Waters (D-Calif.), referring to Trump as the 45th president, led the crowd in a chant of “Impeach 45!” The parade also featured Donny the Tax March Chicken, an inflatable plastic poultry mascot made over to resemble the president, complete with golden orange hairdo.

Some organizers for the nationwide protest have reportedly credited Trump’s spokeswoman Kellyanne Conway for providing the inspiration when she recently commented that Americans didn’t care about his taxes. But so many people in Florida came out on Saturday to demand the president release his returns that his motorcade had to change its route back from the golf course to his Mar-A-Lago mansion so he wouldn’t have to see signs reading “Don the Con,” “Go back to New York” and “Show your taxes!”

Monday on Fox News’ “Fox & Friends,” Conway said the protests were misguided efforts by disgruntled liberals and disappointed Hillary Clinton supporters to get an election do-over.

“Six months after Donald Trump won 306 electoral votes, you have people still trying to make it go away, and this is the president,” she said. She also tried to blame the national Democratic Party for an outbreak of fighting between a small group of Trump supporters and anti-Trump protesters at a park in Berkeley, Calif., where more than a dozen people were ultimately arrested.

Apparently President Trump did notice the protests, as he revealed in a flurry of badly worded Easter Sunday tweets, as reported by Politico: “I did what was an almost an impossible thing to do for a Republican—easily won the Electoral College! Now Tax Returns are brought up again? Someone should look into who paid for the small organized rallies yesterday. The election is over!”

For those Long Islanders who lined Vets Highway in Hauppauge, the president’s unsubstantiated claim would have been welcome news, since no one seemed to be handing out money that afternoon, least of all protest organizer Ruth Cohen of Long Island Activists for Democracy.

“We are becoming a banana republic,” Cohen reportedly said, “where all the power and wealth is held by a super-small elite.”

According to a copy of his federal tax return leaked to MSNBC in March, Trump paid $38 million in federal income taxes in 2005—the most recent return available—on more than $150 million, for an effective tax rate of 25 percent. What, if any, taxes he’s paid since remains to be seen.

Featured Photo: Hundreds rallied in front of the IRS office in Hauppauge on April 15 in a nationwide protest demanding President Donald Trump release his tax returns to the public. (Spencer Rumsey / Long Island Press)

With Thor Hurling Heat, Mets Bury the Dread by Crushing the Braves on Opening Day

By
Spencer Rumsey
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Diehard Mets fans know that you take nothing for granted when you face the Atlanta Braves. So many New Yorkers’ hearts have been broken over the years by that damn Georgia team that even with a rare 6-0 lead at the top of the ninth inning on Opening Day, you just can’t afford to relax, even if you’re among 44,384 of your closest friends at Citi Field—the second-largest regular season attendance in the ballpark’s history.

After all, the Braves had two men on base after Robert Gsellman came in to pitch the ninth and promptly gave up back-to-back hits to Mets’ nemesis Freddie Freeman and Matt Kemp before registering his first out. Fortunately, everybody could do the math—no matter how many beers drained on that beautiful spring afternoon—and it would take a lot more Braves on base to make the game close, but you still worry. It’s what you do.

So sitting up there in the stratosphere known as the Promenade Section with my Northport comrade, I was a little concerned when suddenly Brandon Phillips made contact and put the ball into play. Then something amazing happened—okay, it’s not that amazing, all things considered—and the Mets suddenly turned a double-play because Kemp had started heading for third by mistake when he should have remained on second.

Just like that, Opening Day 2017 was in the books. The players lined up on the infield and traded high-fives as they headed into the dugout. We fans dutifully headed down the stairs in jubilation, filling the stairwells with chants of “Let’s go Mets!” as we descended from our giddy heights to the ground level below.

On the first day of the season the Mets’ defense had prevailed, but so had the offense, in a great balancing act that portends all kinds of odds-defying omens, prefaced by the thundering dominance of the mighty Noah Syndergaard, the 24-year-old, 6-foot-6, 242-pound righty known as Thor. It was because of him that so many grown men at Citi Field were seen sporting Viking horns and carrying around Styrofoam hammers like some would-be Norse god.

On the mound Syndergaard looked like he was pitching from a mountain top in Asgard. He got seven strikeouts, gave up no walks and scattered five hits, including a triple. With command of his full repertoire, he seemed unstoppable. If a Braves hitter worked out a full-count, you knew that Thor would throw the hammer down and get the out he needed, even when runners were on the corners.

 

 

What we didn’t know until much later was that since the second inning he’d been battling a blood blister on the middle finger of his right hand. He seemed to pay it no mind, hurling 86 pitches through six innings. At that point, the game was scoreless because the Braves fidgety starter Julio Teheran, a string-bean of a young man who never looked comfortable on the mound, had dominated the Mets’ line-up, giving up a couple of hits to Mets’ unsung short-stop Asdrubal Cabrera and a single to the mighty Thor himself.

But it was the pitch selection of Syndergaard, the third youngest Opening Day starter in Mets history after Dwight Gooden and Tom Seaver, that made him the most dazzling on Monday.

As the New York Times’ Tyler Kepner put it, Syndergaard’s “sinker—or two-seam fastball—veers sharply away from left-handed hitters at speeds few pitchers can reach with their four-seamers.” Newsday’s David Lennon described Thor’s repertoire thusly: “The 99-mph heat, the insane 94-mph slider, the drop-fade, 88-mph power change.”

“I like to say it’s controlled violence,” Syndergaard has reportedly said about his velocity.

The game had great pitching but also wonderful offense with a huge close play at the plate that involved arguably the Mets’ most popular utility player, Wilmer Flores, whose name echoed from fans in the stands when he came into the game. In the bottom of the seventh inning, Flores had reached on a force-out and then stole second. On first stood Jose Reyes, whose name also gets the crowd singing along whenever he’s announced. Reyes, playing third, was wearing a canary-yellow sleeve on his batting arm just like our multi-million-dollar left-fielder Yoenis Cespedes, who twice drove the ball to the warning track in deep center-field but not quite far enough to clear the yard. He will soon enough.

So up came Cabrera, who stroked a single that Braves’ center fielder Ender Inciarte grabbed off the grass. He fired a bullet to his catcher, Tyler Flowers, who faced Flores racing for home. Unlike last September when Flores foolishly slid head-first and wound up on the disabled list when the Mets made their Wild Card bid against the Giants, this time Flores slid like an obedient Little Leaguer, his front right foot bouncing on the plate right before Flowers (whose Spanish name would be Flores) could apply the tag.

But the umpire called out our Flores, outraging us all. Mets’ coach Terry Collins—now in his seventh season, bless him—challenged the call. As we watched the slide replayed on the giant video scoreboard, we knew he’d gotten it right and the umpire was wrong. Flores was really safe, and the Mets had established a 1-0 lead. From that humble beginning, the Mets sent five more batters to the plate—11 in all that inning.

Our inspiring center-fielder Curtis Granderson drove in a run with a sacrifice fly, doubling our score. When it was his turn, right-fielder Jay Bruce, looking a lot more relaxed at the plate than last year, earned a bases-loaded walk, making it 3-0. During the off season, the Mets had unsuccessfully tried to trade the dismal but highly paid Bruce, and whenever he came up to bat Monday, the crowd made his name sound very similar to boos. The guy sitting next to me, who’d come with his 25-year-old son from the far reaches of Westchester County, cracked us up when he loudly proclaimed: “Did you miss the public address system announcement that we should please refrain from throwing bottles and cans at Bruce just yet?” After all, it was Bruce’s 30th birthday so we cut him some slack, and appreciated all three of his walks during the game.

But whose bat would speak the loudest on Opening Day? That was the question. The answer proved to be another good sign of brighter days ahead—although let’s not jinx it. The big blast in the home opener came from Lukas Duda, the Mets’ quirky first baseman, who also has been known to disappoint us occasionally. He hit a double that cleared the bases.

And let’s not forget Cabrera, who went 3-for-5, reportedly the first Met to record three hits on Opening Day since Mets captain David Wright battled the Nationals on March 31, 2014. On this day, sadly, Wright watched from the dugout, nursing another possible career-ending injury, a cervical disc herniation, which will force him to recuperate in Florida as the team travels without him.

But we fans showered Wright with cheers when he stood with the team along the first base line for the pre-game introductions. Later we all got to greet Hall of Famer Mets catcher Mike Piazza, who looked rather snappy in a dark blue business suit as he presented a folded American flag to the veteran of the day in a ceremony by home plate. Social media circulated a nice photo of three Mets greats: Dwight Gooden, Darryl Strawberry and John Franco sharing a laugh—proving that the so-called feud between the two D’s was over. (It had begun after Strawberry had publicly accused Gooden of a drug relapse.)

Mets fans also showed some very impressive magnanimity—if I do say so myself—to a few former players now wearing Braves uniforms who joined their team along the third base line. A standing ovation greeted the great knuckle-ball thrower R.A. Dickey and everybody went hoarse cheering for our favorite big guy on the mound, Bartolo Colon. When he turns 44 in May, he’ll be the oldest active player in Major League Baseball. We don’t know what his earned run average will be this year, but we’ll never forget when he hit his first home run last year. Letting Colon leave Queens for a $12.5 million one-year contract with Atlanta seemed like a sensible move on the part of Mets’ ownership, given all the presumed riches on our pitching roster (not to mention the team’s record $154 million payroll).

But after the season opener, the normal sense of Mets fan dread is rearing its ugly head again. Will Syndergaard’s blister heal for good? Will Long Island’s own Steve Matz overcome his elbow inflammation? What about Seth Lugo, who’s got some serious elbow issues of his own? And for that matter, will the Mets’ Dark Knight, Matt Harvey, ever return to his lights-out form?

These are all valid worries, but we’ll save them for another day. After all, when you’re a Mets fan, you’re always thinking about tomorrow, if not waiting ’til next year.

Cinema Arts Centre Hosts ‘1984’ Global Protest Screening

By
Spencer Rumsey
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1984 National Screening Day Protest

Big Brother will be watching—or more accurately, millions will be watching Big Brother, as movie theaters across the country and world, including the Cinema Arts Centre in Huntington, collectively host a National Event Day screening of the dystopian thriller, 1984.

Based on George Orwell’s presciently terrifying novel, the movie by writer-director Michael Radford stars Richard Burton as a villain, Suzanna Hamilton as a romantic, and John Hurt as Winston Smith, a dutiful drone in a totalitarian state, who begins to fathom the depth of his oppression by a government that he always took for granted.

The film will be shown at 7:30 p.m. on April 4 at nearly 200 independent art-house movie theatres across the country and several internationally, with a post-film discussion at the Cinema Arts moderated by Prof. Marty Haas, who teaches American history at Adelphi University. The date of the screening is especially relevant because it was on this day that Smith began his rebellion by making his first entry in his forbidden diary. It’s what Big Brother’s Thought Police would call a “thought crime” because they don’t want anyone thinking independently. Smith’s job at the government’s Ministry of Truth had been to rewrite history, eliminating inconvenient truths and erasing incongruent facts. For some reason, he suddenly woke up.

The timing of the mass screening is also pertinent because many American theater owners strongly believe in supporting the National Endowment for the Arts, which would be eliminated in the federal budget proposed by President Trump. This coordinated screening is intended to serve as a forum and protest for those who see any attempt to curtail the NEA as an attack on free speech and creative expression through entertainment. The synchronized global screening is a joint effort by the United State of Cinema and Art House Convergence. Cinema Arts Centre is also an organizer of the event.

“A lot of us have felt that [with] the current administration, a lot of our most essential values are sort of under assault,” Dylan Skolnick, Cinema Arts Centre’s co-director, recently explained to the L.A. Times. “In particular, things like the existence of actual facts. And 1984 has had this sudden uptick in popularity because it really explores a lot of those issues.”

Here at the Cinema Arts, a portion of the proceeds will be donated to the American Civil Liberties Union.

Since Trump became president and the conservative Republicans cemented their control of both houses of Congress and soon the Supreme Court, sales of Orwell’s dystopian novel have soared, propelling the book first published in 1949 to the best-seller lists. The central theme is the heroic struggle of one individual against tyranny. Orwell prophetically saw the planet divided into three superpowers: Oceania, Eurasia and Eastasia. He also predicted nuclear missiles, microprocessors and “Newspeak,” which we know today as alternative facts, thanks to Trump’s spokesperson Kellyanne Conway.

Radford won the rights to the novel from Orwell’s widow Sonia by promising to adhere closely to Orwell’s vision. Working against the clock with his producer Simon Perry, he was actually able to finish the film so it could premiere in the same year of its title. It’s haunting, disturbing and inspiring. And it couldn’t be more relevant to what’s going on today in our beleaguered republic.

The National Event Day Screening of 1984 will be at 7:30 p.m. on April 4th at Cinema Arts Centre, 423 Park Ave., Huntington. cinemaartscentre.org .

Lawsuit Could Still Drive a Stake Through Jake’s 58 Gambling Casino

By
Spencer Rumsey
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Jake's 58 Hotel & Casino
Jake's 58 Hotel & Casino in Islandia opened for business on Monday, Feb. 27, 2017 (Long Island Press photo)

The video lottery slots are up and running at Jake’s 58 in Islandia. So are the crowds—and the traffic. Still hanging overhead is a pending lawsuit filed last September by Concerned Citizens of Suffolk County in State Supreme Court claiming that the Village of Islandia broke the law when it permitted any gambling at the site of the former Marriott.

“We believe that in addition to the numerous procedural deficiencies surrounding the issuance of this permit, the operation of a gaming facility is not a permitted use in Islandia under the code of the Village of Islandia,” said Ira Bezack, a Hauppauge resident and Melville lawyer, who’s the in-house counsel for this citizens’ group.

According to him, Islandia code explains why the new owners don’t even use the words “hotel and casino” on the side of the building. Jake’s 58 may be an inscrutable name to drivers whizzing by on the Long Island Expressway, but it links the LIE exit number to Jeremy Jacob, the owner of Delaware North, the Buffalo-based gaming and entertainment operator which opened the facility about a month ago.

“We’ll be a good neighbor,” Chuck Kilroy, the president and general manager of the hotel and casino, told the Press last month. “I think people will be pleasantly surprised at how the property operates and how we’ll become a member of the community.”

With a contract from Suffolk County Regional Off-Track Betting Corporation, Delaware North opened up Suffolk County’s first gambling venue on Feb. 27 with 265 video lottery terminals (VLTs) on hand. Now it has almost 300 VLTs and plans to install 1,000 by the summer.

Suffolk OTB President Phil Nolan, former Islip Town supervisor, has said publicly that he expects the facility’s first 1,000 machines to be insufficient, and intends to ask the State Legislature to allow Jake’s 58 to expand to 2,000 VLTs.

“I don’t think that Delaware North put in $32 to $34 million into renovating this hotel in Islandia for a thousand VLT machines,” said Bezack. “I think this is an investment in the hope that Governor Cuomo or anybody who’s sitting in that office will eventually allow the same type of gambling in New York that they have in Connecticut.”

Suffolk OTB is hoping that the slots-only casino will pay off big time, enabling it to emerge from bankruptcy—it filed for Chapter Nine protection on May 2012 before Chief Judge Carla Craig in U.S. Bankruptcy Court in Brooklyn—and unload its debt. It owes $3 million to the New York Racing Association, plus at least $15 million to its other creditors, which includes Delaware North. Some observers say the actual figure is three times that amount. But if all goes as planned, OTB says the new venue will let it pay $13 million to Suffolk County for its first decade of operation.

Suffolk OTB’s Nolan reportedly said that he expects the organization to be completely out of the red in five years and eventually be able to ostensibly contribute an estimated $73.9 million annually to public education.

Critics of the casino don’t see how that’s going to happen, given Suffolk OTB’s debt burden. But other factors may be at work as well. According to a study of gambling conducted by the Nelson A. Rockefeller Institute of Government in Albany, revenues from video lottery terminals drop precipitously the longer the parlors stay open.

“The actual revenue collections are always below the expected revenue forecasts,” Lucy Dadayan, the senior researcher who ran the study in 2016, told Newsday, adding that Jake’s 58 would surely succumb to the same fate.

There wouldn’t be one VLT in Suffolk had not Albany granted OTB the right to operate gaming machines in the 2013 law pushed by disgraced ex-State Sen. Dean Skelos, who is appealing his conviction on federal corruption charges. The former New York Senate majority leader’s measure gave Nassau OTB and Suffolk OTB the right to place 1,000 video slots within their county lines.

Nassau OTB couldn’t find the right location to overcome community objections, and ended up leasing its share to Resorts World Casino New York City, which installed them at its Aqueduct Racetrack in Queens. Originally, Suffolk OTB tried to make a deal in Medford, but met community opposition. Then the Village of Islandia stepped in, thanks to three-term incumbent Mayor Allan Dorman. Coincidentally or not, when the Islandia Marriott along Exit 58 by the Expressway went up for sale, Delaware North swept in last summer.

One of the plaintiffs in the pending lawsuit, which was filed last September, is former Islandia Deputy Mayor Neil Munro, who just ran against Dorman on March 21 and lost. It was reportedly Dorman’s first hotly contested election in a decade. Among the allegations in the suit before Judge William Ford in Riverhead are that the village approved the special permit to operate the casino “in less than two minutes,” according to attorney Paul Sabatino, Bezack’s co-counsel in the suit along with Anton Borovina. Sabatino told the Press that the resolution wasn’t even written down until “several days after the vote.”

Mayor Dorman did not respond to requests for comment.

Last week, Dorman handily defeated Munro, 507 to 258. Dorman, 66, president of the Suffolk County Village Officials Association, has lived in Islandia for 38 years. He heartily supported the casino contract, saying that it brought jobs and allowed the village to cut garbage collection fees while providing free senior bus service. His challenger, Munro, 54, who’s lived in Islandia 31 years, was a village trustee from 2005 to 2009, as well as deputy mayor. He’s a manager at Staller Associates, a real estate company in Islandia. Besides defeating Munro, Dorman cemented his support on the village board by knocking off a challenge from former Deputy Mayor Diane Olt, who was running for trustee.

“I don’t agree to a casino without a public referendum,” Munro told the Press. “It was jammed down everybody’s throat without discussing it.”

Frustrated by the recent election results while awaiting the court ruling on the casino permit, Munro and his allies met March 25. He said they saw many improprieties on Election Day, but did not expect the outcome to be overturned by the State Board of Elections. They plan to meet again next week.

According to Bezack, Delaware North has promised more than it can—or will—deliver. The company has agreed to pay the Village of Islandia $3.2 million annually, and coughed up $2.5 million before the recent election.

“That’s more than the village will ever see,” said Bezack. “In about a year and a half, their permit will expire and they’ll want to scale back their contribution significantly.”

Added Sabatino: “At a minimum, this entire project is taking on the look of a classic bait and switch, both economically and legally.”

He said that based on public comments, the economic viability of the casino depends on its getting 2,000 VLTs, despite the state statute’s limit. He also claimed that the New York Gaming Commission should not have granted the casino’s operating license, because under state law, the facility had to be in compliance with all of Islandia’s code provisions. His side argues that it was not.

“If the case is decided on the law, we should win,” said Bezack, “but unfortunately this is not a legal issue—it’s a political issue. The State of New York wants it, the County of Suffolk wants it, the Village of Islandia wants it. Now, is this judge going to buck politics? Or is he going to decide the case on the law? We are hopeful that Justice Ford, as is his duty, will decide the case on the law and not be swayed by political concerns.”

The plaintiffs contend that if Jake’s 58 is engaged in business activity not permitted by village code, then it should not be permitted to continue, let alone bring in hundreds more VLTs.

“I’m a vigorous opponent of the expansion of gambling,” said Assemb. Michael Fitzpatrick (R-Smithtown), whose district includes Jake’s 58. “I believe OTB should be allowed to fail. For government to go into the business of gambling to support its operation is bad public policy. It’s immoral in my view for government to be involved when we know a certain percentage of people will become addicted with real ramifications for families and businesses.”

Last year, Fitzpatrick filed a bill to rescind the authorization for the video lottery terminals but couldn’t get a Republican co-sponsor in the State Senate, so it died in his Assembly committee. He told the Press he’ll try again this session in Albany because he wants OTB “to go away and cease to be a cancer on the body politic of Suffolk County.”

“The caution to the village,” Fitzpatrick warned, “is that sometimes municipalities get a little punch-drunk—there’s a sugar high from the money that comes in—and they end up committing to spending, for which revenue may not be available a few years down the line. They’re on the hook for these commitments… The village is certainly going to enjoy a short-term windfall, but the social cost is going to borne by the entire county.”

Islandia does not have its own police, fire or ambulance service, and so must depend on Suffolk to provide those services.

“I’m not against gambling,” said Bezack, the lead attorney for Concerned Citizens of Suffolk, “but there are so many other places in Suffolk County that are much more amenable, like Grumman out in Calverton. Gambling has its place, but not in a residential community. This is going to be a full-blown casino.”

Asked for comment about the issues raised by Jake’s 58, Suffolk County Executive Steve Bellone declined. Supposedly Jake’s 58 has been on a hiring spree, employing more than 300 staffers and dozens of security guards. The casino is open daily from 8 a.m. until 4 a.m.

Apparently, the county is betting that it will only continue.

Trump Obliterates Obama Environmental Regulations

By
Spencer Rumsey
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On Tuesday President Trump signed an executive order at the headquarters of the Environmental Protection Agency that directs federal regulators to rewrite the rules that curb carbon emissions in the U.S. while rolling back many other environmental regulations.

With EPA head Scott Pruitt, Vice President Mike Pence, Interior Secretary Ryan Zinke, Energy Secretary Rick Perry and a group of purported coal miners looking on, Trump put his pen to work dismantling a major component of President Obama’s climate change policies. Dubbed the “Energy Independence Executive Order,” it starts to undo Obama’s Clean Power Plan, rescind a temporary ban on new coal leases on federal lands, eliminates a federal guidance to factor in climate change when making policy and gets rid of the federal researchers who measure the social cost of carbon, methane and nitrous oxide.

Trump said he signed the executive order to grow America’s wealth, gain energy independence and end “job-killing regulations” so the country can “put our miners back to work.” As he declared, it marks an end to “the war on coal.”

The executive order sparked a huge reaction nationwide. Here in New York, the response was vehement, whether from elected officials or environmental activists.

“If there was any doubt that big oil was back in charge under the Trump administration, today’s executive order lays that to rest,” said Senate Minority Leader Charles Schumer, (D-N.Y.). “It reads as if it was written in an Exxon board room, with no regard for the health and safety of the American people, or the planet. This executive order is nothing more than a giveaway to big oil at the expense of the health and safety of our children and the bank accounts of hard working middle-class families. Simply put, the Trump administration has put the health of the American people and the future of our planet on the back burner all for the sake of lining the pockets of big oil and extreme-right special interests.”

New York’s junior Sen. Kirsten Gillibrand also weighed in with this tweet:

Her spokesman said, “New Yorkers are on the front lines of climate change, and rolling back this plan ignores science and the threat of extreme weather like Superstorm Sandy. Climate change will hurt our fishing industry, and rising sea levels will result in more New Yorkers residing in flood zones.”

Long Island Republican Congressman, Lee Zeldin (R-Shirley) applauded Trump’s action Tuesday, saying that President Obama had overstepped the bounds of the Constitution by ordering the EPA to overhaul the nation’s energy market through regulation and without an act of Congress.

“I support President Trump’s executive order calling on the Environmental Protection Agency to significantly review and revise the Obama Administration’s Clean Power Plan,” said Rep. Zeldin in a statement. “While I support clean and renewable energy on Long Island, I am opposed to unfunded EPA mandates that ignore the role of Congress and the Constitution.

“On Long Island we pay some of the highest electricity rates in the nation, and, as proposed, the Clean Power Plan is expected to double electricity rates,” Zeldin continued. “The solution is an ‘all of the above’ energy strategy that lowers rates, is reliable, and protects the environment. I will continue working across the aisle to protect the valuable natural resources we treasure on Long Island, to support clean energy research and safeguard our environment.”

His Democratic colleague from Long Island, Rep. Kathleen Rice (D-Garden City), didn’t see it that way.

“President Trump and Scott Pruitt deny basic science and do what big oil companies tell them to do, even when it means jeopardizing our national security, environment, and public health,” said Rice in a statement. “But it’s people in places like Long Island who will pay the price of polluted air, rising sea levels and extreme weather events like Superstorm Sandy.

“We have an opportunity on Long Island and across New York to create a lot of good local jobs by leading the transition to clean energy,” Rice told the Press in a statement. “I’m going to keep working to make sure we seize that opportunity, even if the Trump administration continues to deny basic facts and lead us in the opposite direction.”

She was joined by Rep. Tom Suozzi (D-Glen Cove), who slammed the executive order for derailing important environmental regulations.

“This executive order unravels important measures that are meant to keep the air we breathe clean for families and children,” said Suozzi in a statement. “Even if New York has clean power plants, polluters in other states will negatively impact our air quality. We can’t let that happen.

“Keeping our environment safe is not a partisan issue,” Suozzi added. “As co-chair of the bipartisan Long Island Sound Caucus and a member of the bipartisan Climate Solutions Caucus, we need to work together to protect our ever-changing climate. [Tuesday’s] actions go too far.”

Rep. Gregory W. Meeks, who represents parts of Queens and a sliver of Nassau, called Obama’s Clean Power Plan “evenhanded” and predicted it could prevail in court.

“This executive order will certainly be challenged in the courts and I hope they will see Trump’s executive order for what it is—an ill-conceived and potentially dangerous plan that could hurt Americans and people around the world,” said Meeks in a statement. “Smart regulations help protect our environment and ensure that our children enjoy a beautiful world, as so many generations have before them.”

In Albany, Gov. Andrew Cuomo issued a joint statement with California Gov. Jerry Brown that reaffirmed both states’ commitment to exceed the targets of the Clean Power Plan and reduce carbon pollution.

“Dismantling the Clean Power Plan and other critical climate programs is profoundly misguided and shockingly ignores basic science,” the governors’ joint statement said. “With this move, the Administration will endanger public health, our environment and our economic prosperity.

“Climate change is real and will not be wished away by rhetoric or denial,” it continued. “We stand together with a majority of the American people in supporting bold actions to protect our communities from the dire consequences of climate change.

“Together, California and New York represent approximately 60 million people–nearly one-in-five Americans–and 20 percent of the nation’s gross domestic product,” added Gov. Cuomo. “With or without Washington, we will work with our partners throughout the world to aggressively fight climate change and protect our future.”

Their statement noted that New York and California lead the nation in ground-breaking policies to combat climate change. Both states, which reportedly account for roughly 10 percent of greenhouse gas emissions in the United States, have adopted advanced energy efficiency and renewable energy programs to meet and exceed the requirements of the Clean Power Plan and have set some of the most aggressive greenhouse gas emission reduction targets in North America–40 percent below 1990 levels by 2030 and 80 percent below 1990 levels by 2050. The governors concluded, “New York and California will continue to work closely together–and with other states–to help fill the void left by the federal government.”

New York Attorney General Eric T. Schneiderman announced that he’s leading a coalition of 23 states, cities and counties in opposing President Trump’s executive order designed to curtail the Clean Power Act.

The coalition includes the Attorneys General of New York, California, Connecticut, Delaware, Hawaii, Iowa, Illinois, Maine, Maryland, Massachusetts, New Mexico, Oregon, Rhode Island, Vermont, Virginia, Washington, and the District of Columbia, as well as the chief legal officers of the cities of Boulder, Colorado, Chicago, New York City, Philadelphia, and South Miami.

“We strongly oppose President Trump’s executive order that seeks to dismantle the Clean Power Plan,” they said in their statement released Tuesday afternoon. “Addressing our country’s largest source of carbon pollution—existing fossil fuel-burning power plants—is both required under the Clean Air Act and essential to mitigating climate change’s growing harm to our public health, environments, and economies. We won’t hesitate to protect those we serve—including by aggressively opposing in court President Trump’s actions that ignore both the law and the critical importance of confronting the very real threat of climate change.”

Schneiderman’s office pointed out that the EPA had adopted the Clean Power Plan “through a multi-year stakeholder process that drew heavily on the experience of states and utilities in reducing power plant greenhouse gas emissions…These states recognize that, on such a crucial issue that is already costing taxpayers billions of dollars in storm response and other costs, state action alone will not be enough and strong federal actions like the Clean Power Plan are needed.”

Activists were practically unanimous in slamming Tuesday’s executive order.

“Anyone with Twitter knows that President Trump fails to grasp the impact of his words,” said Travis Proulx with Environmental Advocates of New York. “But today, he’s demonstrated a failure to grasp the devastation of his actions as he’s placed our health and security at risk. With the stroke of a pen, President Trump thinks he can repeal facts and bully us back to the dirty and dangerous ways of the past. He may view this as a moment of ‘American Pride,’ but he and his administration are the only ones who don’t get that no one voted for air that makes our kids sick.”

He urged Cuomo to step up.

“If it wasn’t clear to Governor Cuomo before today why he must place his climate and clean energy policies into law, he must get it now,” said Proulx. “Climate action cannot be sustained through executive actions alone; New Yorkers need the force of law to protect them. As New York joins with California to fight for state-based climate action, it would be wise to replicate the wisdom of California by enshrining our goals and programs into law. President Trump may be a lost cause, but his actions are causing millions of New Yorkers who know that climate change is getting worse to engage. New York State owes it to them to provide security in knowing that their government is looking out for them.”

Heather Leibowitz, director of Environment New York , called Trump’s executive order “an opening salvo. There’s a lot that the administration will have to do to actually rewrite the Clean Power Plan,” she told the Press in an email. “The fact remains that the Supreme Court has affirmed that carbon dioxide is a pollutant governed by the Clean Air Act, which obligates the EPA to address it.

“There’s certainly other things the administration could try to do to slow our transition to clean energy,” Leibowitz warned, “but ultimately, I think the trend is unstoppable. Slowing it down can certainly do harm, but we’ll be doing everything we can at the local, state and federal level to limit pollution and grow clean energy.

“When it comes to climate change, everyone lives downwind,” she said. “Allowing more pollution will increase the risks we in New York City and Long Island face from more extreme weather, coastal flooding and heat waves.”

Leibowitz didn’t buy Trump’s explanation that repealing the Clean Power Plan as well as lifting other environmental protections will lead to many more jobs in coal mining.

“Already in the US, more than 2.5 million Americans go to work every day in the clean energy industry, one of the fastest-growing sectors of our economy,” said Leibowitz.

According to an analysis by the Energy Department released in January before Trump’s inaugural, coal mining in the U.S. reportedly accounts for 75,000 jobs, while renewable energy, which includes wind, solar and biofuels, has yielded more than 650,000 jobs nationwide.

“The Clean Power Plan is one of the biggest steps forward to address climate change and promote clean air in the history of our nation,” noted Adrienne Esposito, Long Island’s executive director of Citizens Campaign for the Environment. “The President cannot obliterate a federal law just to give a gift to his friends in the fossil fuel industries.”

Esposito pointed out that our region is especially vulnerable to the unfortunate by-products of fossil fuel.

“Long Island is in the air shed of Midwest power plants, which means their pollutants travel to Long Island and degrade our air quality, and are deposited in our bays, harbors and estuaries,” she told the Press in a statement. “This means our waters will contain more nitrogen leading to toxic tides, and will become more acidic, which kills shellfish and changes the ecology of our local waterways. We need Congressman King and Congressman Zeldin to stand up and stop this public health and environmental nightmare. We have made tremendous progress in protecting our air and water in our nation. No one voted to ‘Make America Polluted Again’ so let’s stop this environmental assault.”

Nassau Art Museum Honors Halston, Once America’s Fashion Superstar

By
Spencer Rumsey
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halston

To his family, he was Roy Halston Frowick, but to millions of high-minded followers of fashion he was simply known as Halston, a name that stood for style and taste.

Now, for the first time, this distinctive American fashion designer gets his due as the Nassau County Museum of Art turns over its entire gallery space for the most comprehensive retrospective of his works ever assembled in one place outside of a fashion runway.

Focusing on his life and art, “Halston Style” is “one of the most ambitious projects the Museum has ever undertaken,” said Karl E. Willers, director of the Nassau County Museum of Art.

This “celebration of Halston and his achievements in fashion,” as Willers describes it, includes many never-before-seen objects from the designer’s personal archives that he left to his niece, Lesley Frowick, who is the guest curator and author of the accompanying catalogue, Halston: Inventing American Fashion.

“This is a story of a self-made man who rose from the amber prairies to the glittering heights of success in Manhattan,” said Frowick in a statement about the show. “Along the way he created a uniquely American definition of chic that remains relevant to this day—one of simplicity made elegant. He was the first superstar American designer.”

Sponsored by “H Halston Exclusively at Lord & Taylor,” this unique exhibition will include more than 60 Halston fashions, juxtaposed with photographs, artwork, illustrations and accessories, as well as a documentary chronicling his breakthrough Versailles 1973 fashion when he rocked the world and knocked Parisian haute couture for a loop. Among the reasons was Halston’s stunning array of beautiful black models, including the iconic Iman, who later would marry David Bowie.

As Halston put it, “You are only as good as the people you dress.”

Among the highlights of the exhibit are Halston’s trademark pillbox hat design, made famous by Jacqueline Kennedy, who wore it to the Inauguration in 1961 when she was First Lady, and also his innovative Ultrasuede shirtdress garment along with his minimalistic jersey dresses. Masterful examples of the designer’s classic gowns are also abundantly on view as well as sketches of his uniforms for the U.S. Olympic team in 1976 and for the Girl Scouts of America. Museum goers will also get to gaze about Liza Minnelli costume designs, snapshots of Studio 54 when it was at its heyday and Polaroids of him with famous models.

“Halston was the premier designer of the disco age,” writes Aria Darcella in Fashion Unfiltered, “whose minimalistic silhouettes and designs defined not only the fashion at the time, but also American fashion’s place in the global style sphere.”

Not bad for a young guy starting out in the hat salon at Bergdorf Goodman who wound up working with Andy Warhol and even renting his place in Montauk. Halston died in 1990, after entrusting his niece with his archives.

“He always kept a magnum of Dom Perignon in his refrigerator,” Frowick told Women’s Wear Daily recently about her famous uncle. “Funnily, he never drank Champagne. It was for his guests.”

Can visitors to “Halston Style” at the Nassau Museum pick out their faves, take them off the rack and wear them home? Most definitely not, unfortunately. But they can dream!

The show opens officially March 25 and runs until July 9. Nassau County Museum of Art is located at One Museum Drive in Roslyn Harbor, just off Northern Boulevard, Route 25A, two traffic lights west of Glen Cove Road. The museum is open Tuesday-Sunday, 11 a.m.-4:45 p.m. Admission is $12 for adults, $8 for seniors (62 and above) and $4 for students and children (4 to12).

Featured photo: Halston, courtesy Nassau County Museum of Art

Schumer: Judge Gorsuch Will Need 60 Senate Votes to Reach the Supreme Court

By
Spencer Rumsey
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While President Trump has his hands full lining up support from House Republicans for his overthrow of Obamacare, Senate Democrats have taken a clear stand against his nominee for the Supreme Court, Judge Neil Gorsuch, raising the stakes for his confirmation.

On Thursday, after three days of listening to his “lack of candor” at the Senate Judiciary Committee hearings, Senate Minority Leader Charles Schumer (D-NY) said his party plans to filibuster Gorsuch, which means that the conservative Colorado jurist will likely have to hurdle the 60-vote threshold to take his seat on the High Court. Right now Democrats are in the minority with only 48 Senators, leaving the Republicans with 52.

“After careful deliberation, I have concluded that I cannot support Judge Neil Gorsuch’s nomination to the Supreme Court,” said Schumer. “He will have to earn 60 votes for confirmation.

“To my Republican friends who think that if Judge Gorsuch fails to reach 60 votes we ought to change the rules, I say: if this nominee cannot earn 60 votes, a bar met by each of President Obama’s nominees and President Bush’s last two nominees, the answer isn’t to change the rules—it’s to change the nominee,” said Schumer, who laid out the reasons why he’ll oppose the nomination and urge his colleagues to do the same.

“His career and judicial record suggests not a neutral legal mind but instead someone with a deep-seated conservative ideology,” said Schumer. “He was groomed by the Federalist Society and has not shown one inch of difference between his views and theirs. And finally, he is someone who almost instinctively favors the powerful over the weak, corporations over working Americans. There could not be a worse time for someone with those instincts.”

He blasted the 10th Circuit judge for not having “an ounce of courage” to defend the judiciary branch against President Trump’s repeated attacks. “Instead, he just tells us that he’s demoralized, disheartened.”

Asked about his judicial philosophy, Schumer said Gorsuch uttered “banalities and platitudes. We did not get any real answers to any real questions about what he thinks about the law and why.”

From  Roe v. Wade guaranteeing a woman’s right to an abortion to the segregation-busting Brown v. Board of Education, Gorsuch’s refusal to answer whether he agreed with the Supreme Court decisions in those seminal cases convinced Schumer to oppose his nomination.

“Instead of an umpire calling balls and strikes in baseball,” Schumer said, “what we really saw was an expert—a well-trained expert—in dodgeball.”

Schumer took particular aim at Trump’s selection process, criticizing the president for simply picking someone off a list prepared by the ultra-conservative Heritage Foundation and the Federalist Society and “groomed by billionaire conservatives.” Schumer said Gorsuch’s background gave him little confidence that once on the Supreme Court the jurist would care to curtail the “dark, secret, undisclosed money,” released by the Citizens United decision in 2010, and now being spent by the millions on television ads to drum up support for his confirmation.

“To say he is neutral in his views is belied by his history since his college days and by his own judicial record,” said Schumer.

Then Schumer brought up a very sore point for Democrats: Judge Merrick Garland, President Obama’s nominee to fill the seat vacated by Justice Antonin Scalia’s death last winter, who was rebuffed by Senate Republicans. The nation’s highest court has been operating with only eight judges ever since.

“We all know that my friends across the aisle held this Supreme Court seat open for over a year in hopes that they would have the opportunity to install someone hand-picked by the Heritage Foundation and the Federalist Society to advance the goal of big-money interests entrenching their power in the courts,” said Schumer. “They don’t even mind that this nomination is moving forward under the cloud of an FBI investigation of the president’s campaign.”

He noted that President Obama was under no investigation when he nominated Judge Garland. “It is unseemly and wrong to be moving so fast on a lifetime appointment in such circumstances,” Schumer said.

His objection was preceded weeks ago by New York’s junior U.S. Senator, Kirsten Gillibrand, a fellow Democrat, who announced in the beginning of February that she would not vote for Gorsuch and supported the 60-vote threshold.

“The Supreme Court is supposed to be the ultimate arbiter of justice for our citizens,” said Gillibrand in a statement. “Unfortunately, Judge Gorsuch has proven to have a judicial philosophy outside of the mainstream and time and again has subjugated individual rights to those of corporations. I fundamentally disagree with his ruling that a boss should be able to make family planning decisions for an employee and that corporations are people. I plan to stand up for individuals over corporations and oppose his nomination, and I will insist that his nomination meet a traditional 60-vote threshold.”

As Democrats, both on Capitol Hill and around the country, have angrily pointed out, the Republican Senate Majority Leader Mitch McConnell (R-Ky.) never even bothered to bring Garland’s nomination to a vote, let alone have him appear before the Senate Judiciary Committee. Additionally, just prior to the November election, some Republicans suggested that they would refuse to vote for a Hillary Clinton Supreme Court nominee had she won.

“The Republicans’ refusal to allow Merrick Garland to get even a hearing to fill this seat was nothing short of a crime against democracy, a twisting of democratic norms beyond all recognition,” said Paul Waldman, a senior writer at The American Prospect, in a recent column for the Washington Post. “Garland should be in this seat, and Democrats should go as far as they possibly can to avoid giving even a shred of validation to the way Republicans stole it.”

And so Schumer has thrown down the gauntlet for Gorsuch and his supporters to cross.

Photographer Joan Weiss Exhibits Otherworldly ‘Illusions & Impressions’ In Manhasset

By
Spencer Rumsey
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joan weiss

The way Joan Weiss sees it, there’s always more than meets the eye.

Her images really reside in the mind. Whether she’s honing in on details others might easily overlook, or capturing layers of meaning hidden in plain sight in a landscape vista, this acclaimed Long Island photographer brings an artistic aesthetic to her work that makes a lasting impression.

Not bad for someone who could neither draw nor paint as a kid growing up in Brooklyn—and never saw her artwork stuck on the refrigerator door by her parents. But she did borrow her family’s trusty old Brownie, and that passion for photography—though it took some significant detours over the years as she pursued a high-pressure career as a medical writer and editor—stayed with her.

After she retired a couple of years ago, this Jericho resident devoted herself to becoming a full-time art photographer. What she’s accomplished since 2015 is impressive: She’s been elected to the Board of Directors of the Art League of Long Island and had four solo shows on Long Island, with more to come.

This Sunday marks another milestone in her photographic odyssey that has taken Weiss from Coney Island to Vietnam, when her exhibit, “Illusions & Impressions,” opens at the Shelter Rock Art Gallery in the Unitarian Universalist Congregation at Shelter Rock in Manhasset. On display from March 25 through April 24, it’s fitting that the largest show yet of her work takes place at a gallery considered by many professional photographers as the best venue on Long Island aside from museums.

“I will be showing 40 photographs, a few of them on the ‘gigantic’ side,” Weiss told the Press, adding that some are five-feet wide. “That will be new for that gallery, but I think it shows those particular photographs to their best advantage.”

Admittedly, her work is edgy, impressionistic and even surreal—and at their best breathtakingly beautiful.

In her photography, she says, “I see textures, and layers, and the way objects interact in geometric patterns to form other creations. I see shadows and reflections, and the blur of human motion, and sometimes an incongruous fusion of these elements.”

Her formal training began at Cornell University when she amazed her friends by signing up for early Saturday morning photography classes. After graduating with a B.S., she went to the Columbia University Graduate School of Journalism, where she would often be the one wielding the camera instead of the reporter’s notepad. The year was 1968.

“It was a turning point in my life,” recalled Weiss, who was known as Joan Solomon back in those days. “I had become sort of the unofficial class photographer,” she said. In April that year, Columbia students protesting the Vietnam War began a nonviolent occupation of campus buildings and subsequently classes were suspended.

“So we just wandered around the campus during the day looking for where the action was,” Weiss said. “We would often hear in the middle of the night that there were riots on campus and the police were going after students. So we, of course, got up to join the action. We were all in our 20s then and had no fear. If the police caught you, they either crushed your skull with their batons or arrested you. One night my shoe fell off and I fell down. I was terrified. A couple of my friends got me up and dragged me off campus.”

Interestingly, her next big solo exhibit, “Vietnam Now,” will be shown at the Art League of Long Island in Dix Hills from May 3 to May 31, featuring about 30 photographs she took during her trip through that war-torn south Asian country last January.

But it would be wrong to draw the conclusion that her work is overtly, or even covertly, political. It’s more profound than that, and harder to categorize.

“I sometimes feel like I’m in a dream, where things are not what they seem but serve as clues to a deeper, more elusive truth,” Weiss explained. “That truth is revealed to me more vividly through the camera lens than through the naked eye.”

As Weiss gained confidence in her art, she began to realize that she doesn’t see the world as others do—and she has grown to appreciate the difference.

“When I travel and members of my group look in one direction to snap a photo, I invariably aim my camera in the other,” she said. “I find interest and beauty where others might see the mundane. I see glitz where others might see grandeur.”

To create a compelling image, she says she takes “a practical approach” that she’s willing to share:

“Go out in atrocious weather. Get into impossible positions. Ruin your clothes.”

And so she does—willingly. But what she brings back with her camera makes it all so worthwhile.

Joan Weiss’ photography show, “Illusions & Impressions,” runs from March 25 through April 24, with an opening reception on March 26 from 1-3 p.m. at the Unitarian Universalist Congregation at Shelter Rock, 48 Shelter Rock Road, Manhasset. Call 516-472-2933 for more information.

Jimmy Breslin Proved That the Pen Is Mightier Than the Sword

By
Spencer Rumsey
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The first time I met Jimmy Breslin at New York Newsday I thought he was sitting down because he already had such a huge reputation I didn’t realize that this living giant of New York City was actually shorter than me. But that didn’t stop me from always looking up to him.

I was ecstatic when my publisher hired him away from the Daily News to join our side of the city’s tabloid war in 1988—even if it was for half a million bucks. Breslin was no Times man, as he’d say, although he did once entice the New York Times‘ Abe Rosenthal to join him at a bar in Queens, proving that some of the colorful characters he chronicled actually existed. Now it’s hard to believe that Breslin no longer exists—he died Sunday at age 88 of pneumonia.

At that first meeting in Newsday’s city room, I wasn’t sure why he seemed to single me out when he said the trouble with young journalists today is that we spent too much time at the gym and not enough time in bars getting the real story. He made going to a health club sound like a dereliction of duty. He urged us to put the phones down and get out into the boroughs, walk up the five flights of stairs and knock on doors.

I already knew about the groundbreaking columns that he had turned in, like when he interviewed the man who actually dug John F. Kennedy’s grave at Arlington National Cemetery and earned $3.01 an hour. Or how as a columnist at the Daily News he was the recipient of the Son of Sam’s letters, which helped lead the cops to the author, David Berkowitz, the serial killer responsible for terrorizing so many young New York women in the summer of 1977. And how he had the presence of mind—and the respect of the men in blue—to write about the policemen who rushed John Lennon to the hospital after the great rock musician had been gunned down outside The Dakota on West 72nd in 1980.

Breslin had a staccato style that was Hemingway-like to my ears, as if I could picture him pounding on the keyboard of an old Smith Corona typewriter. But he also had an eye for detail and a love of language that propelled even his most mundane efforts into something worth reading, because you know, it was Jimmy Breslin, and what he had to say mattered no matter what, whether he was writing about that unique mob boss, Un Occhio, or taking the wind out of a blowhard politician who had turned his pin-striped back on the poor.

Over the years, I’ve enjoyed devouring some of his 20-plus books, particularly The Good Rat, about a murder trial involving two cops, and Can’t Anybody Here Play This Game, about the hapless 1962 Mets under beleaguered manager Casey Stengel. I could always hear his distinctive voice, as if he were on the next barstool telling a tale while chomping on a cigar. But I remain a bigger fan of his columns, because that daily deadline pressure brought out the fighter in him—and he was afraid of nothing and no one.

In pursuit of the story behind the headlines, he got severely beaten up at Crown Heights during a race riot in 1991. He was left standing in his underwear holding his press badge, with a black eye and a bloody lip. But the city wasn’t his only beat. He covered the world, too. I learned from his obit that he was standing five feet away from Robert F. Kennedy when the great liberal Senator from New York was shot in Los Angeles after winning the California Democratic primary in 1968. I had missed his column on Three Mile Island in 1979 when it was on the verge of a meltdown that would have had apocalyptic consequences. Breslin didn’t hunker down in a bunker. Instead, he headed straight for the overheating reactor just south of Harrisburg, Penn. He reportedly told his loyal New York driver—Breslin never got his own license—to “step on it—it could be the end of Pennsylvania!”

His path through the harrowed halls of the Fourth Estate took him from the old Long Island Press in Jamaica, Queens, where he was a copy boy, to the New York Journal-American, where he was a sports writer, to the New York Herald Tribune, where he started writing a column, and later to the New York Post, New York Magazine and the Daily News, where I first found him. With Tom Wolfe, Gay Talese and Hunter S. Thompson, he was one of the pioneers of New Journalism in the 1970s, practitioners of a unique blend of subjectivity and objectivity that never compromised on integrity—and my inspiration as a journalist. In recognition of his career, Breslin won a Pulitzer Prize in 1986 “for columns which consistently champion ordinary citizens,” the board explained. But he didn’t rest on his laurels. Not for a moment. He still had many more stories to tell, with hundreds of thousands of words boiling within him, waiting for the right moment to hit the page.

During my time at Newsday, I never edited Breslin, but I did know some copyeditors whom he’d bark at when he was on deadline and didn’t like them messing up his lede. I knew he was cantankerous, and didn’t suffer fools, but I wish he hadn’t hurled a racist slur at the young Korean-American woman reporter who had sent him an in-house message criticizing one of his columns for being sexist. His politically incorrect attitude led to his brief suspension in 1990. As he said in an apology to the staff: “I am not good and once again I can prove it.”

That was the flipside of his larger-than-life persona. He could share a drink with Norman Mailer, no slouch when it comes to big egos, and regard himself as the great American novelist’s peer—they did run a Don Quixote-like municipal campaign together in 1969, with Mailer aiming to become mayor and Breslin City Council president (their big issue was to make New York City the 51st state). But he would also venture into the farthest reaches of the Bronx, Brooklyn and Queens to shine the light on the unsung New Yorkers who make the city actually function—or whose lives were worth telling when tragedy struck close to home. He himself had come out of a rough and tumble world.

While he was still a kid in Queens, his alcoholic dad abandoned Breslin’s family. From that low point, Breslin rose to the heights of the city. And he did it without fear or favor.

Breslin called it the way he saw it—and we hung on every word.

Mockstrosity Tour Hits Long Island With Heavy Metal Laughs

By
Spencer Rumsey
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mockstrosity

It’s certainly the first—and definitely not the worst—in fact, it could be the most unusual heavy metal show ever to hit Long Island. Never before have these three extraordinary bands from west of the Rockies appeared at the Revolution Bar and Music Hall, and Amityville may never be the same after they leave.

What brings Mac Sabbath, Metalachi and Okilly Dokilly to LI on the last Sunday night in March is the 2017 Mockstrosity Tour, covering 26 cities in 26 days, leaving tattered cultural expectations in their wake.

As the tour promoters say, their misguided mission was simple: They would amass “the most motley collection of costumed musical miscreants ever assembled. Our shortsighted ambition would prove to be our demise as one by one a hapless triad of lawless vagabonds have now come together to form a blasphemous axis of musical mockery far more powerful than we could have ever imagined…or hope to contain.”

It looks like they succeeded beyond their sickest imagination—purists, be warned.

Founders of what they call “Drive-Thru Metal,” Mac Sabbath mixes reimagined Black Sabbath classics with raucous comedy and borderline-horrific theatrics, complete with a smoking grill, laser-eyed clowns, bouncing burgers and many more surprises. Buzzfeed dubbed Mac Sabbath as one of the “13 Metal Bands You Didn’t Know How to React To,” while LA Weekly put them on their “Best Tribute Band” list in 2015. One look at the band in full regalia is frightening and funny at the same time.

“Heavy music, like heavy food, is best consumed voraciously and without much thought,” writes LA Weekly’s music critic Lina Lecaro. “But the McGenius behind Mac Sabbath is that they obviously put a lot of thought and skill into their quirky musical cooker, which roasts greasy fast-food corporations as much as it pays tribute to the pummeling rock of Ozzy and Sabbath. Like many gimmick-driven grinders, the members shroud themselves in secret sauce.”

The band includes Grimalice, the Catburglar and Slayer McCheeze backing up creepy clown Ronald Osbourne on vocals. With their “clever, freak-fried takes on Sabbath’s lyrics (‘Pair-A-Buns’ to the tune of ‘Paranoid’ and ‘Frying Pan’ to the tune of ‘Iron Man’),” Lecaro says, “these happy meal menaces sizzle life, and always serve up more than the empty calories of most cover bands.”

America’s Got Talent alumni Metalachi is the world’s only heavy metal mariachi band. Hailing from Hollywood via Juarez, Mexico, Metalachi is a musical/comedy stage show that somehow blends the world of Spinal Tap and Cheech & Chong into an over-the-top stage spectacle. The group is a 5-piece ensemble of classically trained mariachi musician brothers who have been fused together with the molten power of metal.

Their unique mix of raucous humor and innovative music has reportedly drawn praise from the likes of Dave Lombardo (Slayer), Vinnie Paul (Pantera, Hellyeah), Eric Wilson (Sublime), Billy Idol and Howard Stern. LA Weekly also put Metalachi on its list of LA’s “Top 5 Tribute Bands” of 2015.

“Metalachi roll metal and mariachi music together in to a big zesty burrito with just the right amount of heat,” writes LA Weekly’s Lina Lecaro. “Like the most garish ’80s glam bands, they don painted faces and wigs; they just top ’em off with sombreros and sometimes fancy polyester, too. The shtick works because the guys are skilled mariachis, especially their horn and violin players, who attack their solos like Speedy Gonzales meets Slash.”

They started building their following in North Hollywood, and struck it big, so to speak, on the Hollywood Strip. Their scorching rendition of Ozzy Osbourne’s “Crazy Train” would be ideal with some flaming margaritas, Lecaro recommends.

Rounding out the line-up and all the way from Phoenix, Arizona, come Okilly Dokilly, a very unlikely looking band performing what they describe as “Nedal,” a subgenre of metal inspired by Ned Flanders, the overbearing goodie-two-shoes neighbor on The Simpsons. Although these guys are certainly animated, they’re definitely not cartoon figures. The band includes Head Ned, Red Ned, Thread Ned, Stead Ned and Bled Ned.

They say they draw most of their lyrics from Ned Flanders’ direct quotes. Last November they released their debut album, Howdilly Doodilly, and they’ve since reaped worldwide attention from the likes of Time, Maxim, US Magazine and other outlets. Their first video was for the song “White Wine Spritzer,” an ode to Flanders’ favorite stiff drink.

After hearing one verse, you’ll never be afraid again to order that drink in front of your friends when you’re at a bar; you just have to summon the emotional intensity that Okilly Dokilly bring. It’s not at all what you’d expect from a bunch of nerdy looking guys in pink sports shirts, dark green sweaters and nondescript slacks. Their high energy shows try to “weave together comedy and brutality,” the band boasts.

“Guttural screams and pounding drums provide a soundtrack for the pummeling of an inflatable donut as green sweaters and round glasses blur across the stage.” Now that’s a sight for sore eyes.

On March 26, the Mockstrosity Tour comes to the Revolution Music Hall, which is at 140 Merrick Road in Amityville. Doors open at 7 p.m. General admission is $20, for ages 18 and over.

Mac Sabbath photo credit: Paul Koudounaris

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